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Klavierstücke (Stockhausen)
The ''Klavierstücke'' (German for "Piano Pieces") constitute a series of nineteen compositions by German composer Karlheinz Stockhausen.
Stockhausen has said the ''Klavierstücke'' "are my ''drawings''" . Originating as a set of four small pieces composed between February and June 1952 , Stockhausen later formulated a plan for a large cycle of 21 ''Klavierstücke'', in sets of 4 + 6 + 1 + 5 + 3 + 2 pieces (; ). He composed the second set in 1954–55 (''VI'' was subsequently revised several times and ''IX'' and ''X'' were finished only in 1961), and the single ''Klavierstück XI'' in 1956. Beginning in 1979, he resumed composing ''Klavierstücke'' and finished eight more, but appears to have abandoned the plan for a set of 21 pieces. The pieces from ''XV'' onward are for the synthesizer or similar electronic instruments, which Stockhausen had come to regard as the natural successor to the piano. The dimensions vary considerably, from a duration of less than half a minute for ''Klavierstück III'' to around half an hour for ''Klavierstücke VI'', ''X'', ''XIII'', and ''XIX''.
==''Klavierstücke I–IV'': from point to group composition==
The first four ''Klavierstücke'' together mark a stage in Stockhausen's evolution from point music to group composition . They were composed in the order III–II–IV–I, the first two (originally titled simply ''A'' and ''B'') in February 1952, and the remaining two before June 1952 (Blumröder 1993, 109–10). The set is dedicated to Marcelle Mercenier, the Belgian pianist who performed the world premiere in Darmstadt on 21 August 1954 .
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